Altaschith
Destroy not, the title of Ps. 57, 58, 59, and 75. It was probably the name of some song to the melody of which these psalms were to be chanted.
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These teachings share Scripture, study subjects, or Strong’s references.
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Jonath-elem-rechokim
Dove of the dumbness of the distance; i.e., "the silent dove in distant places", title of Ps. 56. This was probably the name of some well known tune or melody to which the psalm was to be sung.
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Cushan
Probably a poetic or prolonged name of the land of Cush, the Arabian Cush (Hab. 3:7). Some have, however, supposed this to be the same as Chushan-rishathaim (Judg. 3:8, 10), i.e., taking the latter part of the name as a title or local appellation, Chushan "of the two iniquities" (= oppressing Israel, and provoking them to idolatry), a Mesopotamian king, identified by Rawlinson with Asshur-ris-ilim (the father of Tiglathpileser I.); but incorrectly, for the empire of Assyria was not yet founded. He held Israel in bondage for eight years.
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Degrees, Song of
Song of steps, a title given to each of these fifteen psalms, 120-134 inclusive. The probable origin of this name is the circumstance that these psalms came to be sung by the people on the ascents or goings up to Jerusalem to attend the three great festivals (Deut. 16:16). They were well fitted for being sung by the way from their peculiar form, and from the sentiments they express. "They are characterized by brevity, by a key-word, by epanaphora [i.e, repetition], and by their epigrammatic style...More than half of them are cheerful, and all of them hopeful." They are sometimes called "Pilgrim Songs." Four of them were written by David, one (127) by Solomon, and the rest are anonymous.
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Hallel
Praise, the name given to the group of Psalms 113-118, which are preeminently psalms of praise. It is called "The Egyptian Hallel," because it was chanted in the temple whilst the Passover lambs were being slain. It was chanted also on other festival occasions, as at Pentecost, the feast of Tabernacles, and the feast of Dedication. The Levites, standing before the altar, chanted it verse by verse, the people responding by repeating the verses or by intoned hallelujahs. It was also chanted in private families at the feast of Passover. This was probably the hymn which our Saviour and his disciples sung at the conclusion of the Passover supper kept by them in the upper room at Jerusalem (Matt. 26:30; Mark 14:26). There is also another group called "The Great Hallel," comprehending Psalms 118-136, which was recited on the first evening at the Passover supper and on occasions of great joy.
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Hind
Heb. ayalah (2 Sam. 22:34; Ps. 18:33, etc.) and ayeleth (Ps. 22, title), the female of the hart or stag. It is referred to as an emblem of activity (Gen. 49:21), gentleness (Prov. 5:19), feminine modesty (Cant. 2:7; 3:5), earnest longing (Ps. 42:1), timidity (Ps. 29:9). In the title of Ps. 22, the word probably refers to some tune bearing that name.
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Maschil
Instructing, occurs in the title of thirteen Psalms (32, 42, 44, etc.). It denotes a song enforcing some lesson of wisdom or piety, a didactic song. In Ps. 47:7 it is rendered, Authorized Version, "with understanding;" Revised Version, marg., "in a skilful psalm."